The Meaning of Small Things: Everyday Drama and History from Below

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Standard

The Meaning of Small Things : Everyday Drama and History from Below. / Bondebjerg, Ib.

Palgrave European Film and Media Studies. Springer Science and Business Media B.V., 2020. s. 73-108 (Palgrave European Film and Media Studies).

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Harvard

Bondebjerg, I 2020, The Meaning of Small Things: Everyday Drama and History from Below. i Palgrave European Film and Media Studies. Springer Science and Business Media B.V., Palgrave European Film and Media Studies, s. 73-108. https://doi.org/10.1007/978-3-030-60496-7_4

APA

Bondebjerg, I. (2020). The Meaning of Small Things: Everyday Drama and History from Below. I Palgrave European Film and Media Studies (s. 73-108). Springer Science and Business Media B.V.. Palgrave European Film and Media Studies https://doi.org/10.1007/978-3-030-60496-7_4

Vancouver

Bondebjerg I. The Meaning of Small Things: Everyday Drama and History from Below. I Palgrave European Film and Media Studies. Springer Science and Business Media B.V. 2020. s. 73-108. (Palgrave European Film and Media Studies). https://doi.org/10.1007/978-3-030-60496-7_4

Author

Bondebjerg, Ib. / The Meaning of Small Things : Everyday Drama and History from Below. Palgrave European Film and Media Studies. Springer Science and Business Media B.V., 2020. s. 73-108 (Palgrave European Film and Media Studies).

Bibtex

@inbook{713ad12f06684c9cb545a83c854f11fb,
title = "The Meaning of Small Things: Everyday Drama and History from Below",
abstract = "This chapter analyzes the relation between macro-history, the big historical events and structures, and micro-history, the everyday lives of people and families and how history influences them. The chapter is based on a comparative analysis of Edgar Reitz{\textquoteright}s famous international success Heimat – Eine Deutsche Chronik (1984, here called Heimat 1) and Peter Moffat{\textquoteright}s English series The Village (I–II, 2013–2014), which the writer-director himself has called {\textquoteleft}a British Heimat{\textquoteright}. The two series are placed in a theoretical context of ordinary life studies, but the way they frame history and the potential point of reception they create to historical events is also discussed from a cognitive memory perspective. The comparative analysis points to similarities between the two series, but also clear differences.",
author = "Ib Bondebjerg",
note = "Publisher Copyright: {\textcopyright} 2020, The Author(s), under exclusive license to Springer Nature Switzerland AG.",
year = "2020",
doi = "10.1007/978-3-030-60496-7_4",
language = "English",
isbn = "978-3-030-60495-0",
series = "Palgrave European Film and Media Studies",
publisher = "Springer Science and Business Media B.V.",
pages = "73--108",
booktitle = "Palgrave European Film and Media Studies",
address = "Germany",

}

RIS

TY - CHAP

T1 - The Meaning of Small Things

T2 - Everyday Drama and History from Below

AU - Bondebjerg, Ib

N1 - Publisher Copyright: © 2020, The Author(s), under exclusive license to Springer Nature Switzerland AG.

PY - 2020

Y1 - 2020

N2 - This chapter analyzes the relation between macro-history, the big historical events and structures, and micro-history, the everyday lives of people and families and how history influences them. The chapter is based on a comparative analysis of Edgar Reitz’s famous international success Heimat – Eine Deutsche Chronik (1984, here called Heimat 1) and Peter Moffat’s English series The Village (I–II, 2013–2014), which the writer-director himself has called ‘a British Heimat’. The two series are placed in a theoretical context of ordinary life studies, but the way they frame history and the potential point of reception they create to historical events is also discussed from a cognitive memory perspective. The comparative analysis points to similarities between the two series, but also clear differences.

AB - This chapter analyzes the relation between macro-history, the big historical events and structures, and micro-history, the everyday lives of people and families and how history influences them. The chapter is based on a comparative analysis of Edgar Reitz’s famous international success Heimat – Eine Deutsche Chronik (1984, here called Heimat 1) and Peter Moffat’s English series The Village (I–II, 2013–2014), which the writer-director himself has called ‘a British Heimat’. The two series are placed in a theoretical context of ordinary life studies, but the way they frame history and the potential point of reception they create to historical events is also discussed from a cognitive memory perspective. The comparative analysis points to similarities between the two series, but also clear differences.

UR - http://www.scopus.com/inward/record.url?scp=85101639892&partnerID=8YFLogxK

U2 - 10.1007/978-3-030-60496-7_4

DO - 10.1007/978-3-030-60496-7_4

M3 - Book chapter

AN - SCOPUS:85101639892

SN - 978-3-030-60495-0

T3 - Palgrave European Film and Media Studies

SP - 73

EP - 108

BT - Palgrave European Film and Media Studies

PB - Springer Science and Business Media B.V.

ER -

ID: 280301102